Tour de Trinity

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Another fun job for UMPF at the Trinity Shopping Centre, involving days of time-lapse and ground based filming too. I was looking for an excuse to use this music track, as it’s such high energy and fun to edit with. And I thought the bike sound at the end would a nice touch.

I built the time-lapse rig using the trusty Sony a6000, powered from a huge V-Lock battery via D-Tap to USB adaptor and a USB to dummy battery cable. It ran for about four days, taking a still every 15 seconds via the trigger from my motion time-lapse slider.

The poor weather meant that the initial 2 days job over ran by four days, so the camera didn’t capture the entire install, but you don’t really notice in the end.

Aerial flying was performed by the team at HexiHeli, and the footage end up being used on the BBC and ITV as part of their wider TDY18 coverage.

Unholy Trinity!

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My client – UMPF, asked me to film their PhotoBoo event this weekend at the Trinity Leeds Shopping Centre.

On the Saturday I installed a GoPro and Radio Mic inside the booth while also filming from outside. Then on Sunday I edited the video which went live in time for Halloween on Tuesday:

Apart from this 60 second version there’s also a full 2m 30s second edit:

I Shoot – You Score

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Another regular client – UMPF PR asked me to make a quick awards submission video for them:

Filmed in their soon-to-be new office in The Calls in Leeds, Amy did a great job in front of the camera (not the first time I’ve filmed her), then with the addition of a few graphics and sound effects we were done.

Putting words on your mouth

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The guys at IdeasBynet are always asking me for something a little out of the ordinary. This time we were making a TV commercial to promote their rebrand, something fresh and fun with loads of character.


This was shot in their photo studio, lit with two 1.2kw MSRs through my diffuser frames and Dedos as backlighting. The performers were two staff members and one semi-pro actress. They were holding sticks with cardboard sheet and tracking markers drawn on. The shoot was fairly simple, the only difficulty was ensuring that the actors didn’t move their mouths too much behind the cardboard and that they didn’t turn their heads too much or their mouths would be visible.


The post production process was obviously quite complex as you’d expect…

-Get the voice performances edited and signed off by the client.
-Edit the actor’s background footage to match the voice recording.
-Save each dialogue line as individual Quicktime files.
-Motion track the individual mouths for each file.
-Edit the mouth movement images to match the voice recording.
-Apply the mouth images edits with the motion tracking to the ordinal background files.
-Put it all back together in Final Cut Pro.
-Apply colour corrections, add strobing/weaving effect.


I’m really happy with the end result: