Smile like you mean it!

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Wharf Media asked me to shoot a series of testimonial commercials for their client – EvoDental. We overnighted in Heathrow so we could start shooting first thing at their clinic nearby.

The finished commercials came out really well…

HORIBA MIRA

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I filmed all the interviews and their related cutaways for this recent corporate video, including a starring role from my assistant Tom who was roped in to act as the car thief!

Horiba_1

Stressing the point

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Managing Workplace Pressure
The Aged Care Channel have uploaded another programme promotion:

The programme is a update to an original that I filmed on the FS100 back in 2014. The update includes a raft of new scenes filmed on my LS300 which now include home care workers.

Noise Pen

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This is the third corporate video I’ve produced for Whitby-based Pulsar Instruments. This new product needed a slightly different approach from previous videos, so I wrote the script and used my iPad teleprompter system to relay it to the presenter.

Faith through my lens

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FTAL2015 winner

This is my 4th year producing the videos for this ever-growing awards ceremony. I filmed the judging at BBC Broadcasting House in London in October. And again in November, when Tom joined me for the ceremony.

As usual, I edited two short video that were played at the ceremony, and then I made the final film encompassing the entire 2015 awards process.

FTAL_BBC_2

Whahay 4K!

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I’ve taken delivery of a new JVC LS300 cinema camera.
LS300_FFocus02
While shooting in HD, UHD or 4k it offers the unique ability to fine tune the sensor scan to any available lens system. It uses a large native APC sensor, but the camera can adapt to other lens systems that cover less area on the sensor while still maintaining 4k resolution.

LS300 Adapters01M

The wide range of codecs on offer produce high quality chroma sampling for superb quality chroma key and colour correction capabilities.

I’ve added 3 additional high capacity batteries, a set of native Panasonic MFT 12-35 f2.8 and 35-100 f2.8 lenses offering a field of view equivalent to 24-70 and 70-200. I can still shoot on all my existing glass, but the Panasonic lenses offer image stabilisation under manual or automatic control in a very lightweight package. You can never have too many lenses I reckon.

The result so far are superb. the colour rendition is amazing and the resolution when shooting scaled down to HD is way beyond anything I’ve used before.