I filmed a series of interviews for the Children’s Social Work Matters website back in May 2015. While doing some work for them recently I spotted that the videos have been made public.
https://www.childrenssocialworkmatters.org/making-a-difference/videos/
This was one of the first times I filmed in Log using the JVC LS300 which gives the HDR (high dynamic range) low contrast look that these videos have.
My client – UMPF, asked me to film their PhotoBoo event this weekend at the Trinity Leeds Shopping Centre.
On the Saturday I installed a GoPro and Radio Mic inside the booth while also filming from outside. Then on Sunday I edited the video which went live in time for Halloween on Tuesday:
Apart from this 60 second version there’s also a full 2m 30s second edit:
I’ve recently produced six promotional videos for the Grand Hotel in York – Yorkshire’s only 5 star hotel.
Sam Pointon was originally given the post of ‘Director of Fun & Families’ by the National Railway Museum in York. He’s revisited his post by offering advice to families looking for fun days out in York this summer.
As a one man crew I had to keep kit to a minimum.
I used the JVC LS300 as the main camera, and my new Panasonic G80 for the second angle mounted on it’s new Carbon Fibre monopod. The Panasonic matched really nicely with the JVC.
Here’s something I made recently, filmed at the Glen Dimplex Home Appliances factory in Liverpool.
I did quick recce and the client’s only real concern was that we had to keep disruption to a minimum.
The production line switched to making our specific colour and design when we needed to start filming, and we only had the parts to produce five of our ovens, so I had to film it as fast as I could.
There was some daylight in the factory as well as fluorescents and some other discharge lighting. But the strong key lighting in the video is from a 1.25kw and a 2.5kw Arri MSR.
I filmed it all using my trusty Hague Multi-Jib on a Heavy Duty Manfrotto tripod, and that’s on a Vinten tripod dolly so I can wheel it around the location on my own if I need to.
The clients were watching my 22 inch location monitor via wireless HDMI.
In FCPX I used the ‘Epic’ look from Luster Grade on an adjustment layer. And I’ve done a few colour corrections under the adjustment layer to balance between shots.
I’ve just completed the editing for this year’s Faith Through a Lens Award. As usual I filmed and edited two VTs which are shown to the audience at the live event which I filmed with Tom. This is likely to be the last year that the awards are hosted by the BBC as the Religion Dept. is moving to Scotland.
Here’s highlights of another ACC job I shot.
I’ve just completed another shoot and edit for Beacon Medaes, the world’s leading manufacturer of medical gas manifolds and compressors.
Like the previous job, I did the voiceover on this video too!
Last night I filmed a timelapse at the White Rose Shopping Centre in Leeds.
— Duncan Craig (@DCdotcodotuk) August 4, 2016
After getting home in the wee small hours, I started editing this morning and the finished video was uploaded to Facebook this afternoon. Originally it was a 60 second edit, but the client decided they didn’t want to see certain background elements, so I had to chop 15 seconds out. (Sadly it was the best shot of the video, which took over two hours to film).
The moving timelapse was filmed using my Sony a6000 with a slow shutter speed and a variable ND filter. The camera was rigged on my new Digislider, which moves and pans the camera using a precision timelapse motor and shutter intervalometer.
A new client is High Street TV, based not far from me in Harrogate. They broadcast four channels on the Sky TV platforms. In the Sink Skin Commercial I shot replacement footage of in-sink, low levels shots using the Sony a6000 which got very wet!. For the Pressure King Pro I filmed the 1st, 3rd and 4th and 6th testimonials. And more recently I filmed most of the testimonials and cookery for the Quadrapan.
